Snowball   Wednesday, January 15, 2014

Intense cold everywhere last week, so I celebrate this with a collection of snow photos. The pictures were taken over the last several years in New Mexico, Colorado, Arizona, Nevada and California.

A collective shiver is in order.

I return to the anthology this week, taking poems from Language for a New Century, a collection of "Contemporary poetry from the Middle East, Asia, and beyond. The book was published by W.W. Norton in 2008.

I'm doing something different this week with my library poems. Instead of using my own library, I'm taking poems from a book lent to me by a friend. The book is River Flow, New and Selected Poems, by David Whyte. I have never read Whyte before and I'm looking into touring  his poems with you.

Born in 1955, Whyte is an English poet. He moved to the United States and began his writing career in 1986 and in 1988 accepted an offer to become a corporate adviser on, among other things, creativity in the work place. He identifies himself as a British American so I assume, though it's not specifically mentioned in his on-line biography, that at some point he took American citizenship along with his natural British citizenship.

 In one instance I went my own history for inspiration.

And my stuff  old and new.


Laurence Wong
Down in the Mid-Levels

a long time coming

Johnny Cash
Man in Black  

my function

Rishma Dunlop

a mid-winter  poem

David  Whyte
Horses Moving Through Snow

 the vault

Fatima Mahmoud
Excerpt from What Was Not Conceivable      

all brothers to all brothers

David Whyte
Light Over  Water

King of Serial Heroes 

Amir Or
blow job


David Whyte
The Wildflower

french fries

Yon Shu Hoong

it's easier to imagine old than  remember young

David Whyte
The Vows of Glencolmcille



I meant this to be a deep, multidimensional poem. Everyone who's read it has taken it on its face.

Keep it simple, stupid, something for me to  remember from now on. Play to my strengths.


I fight the coming
of this day,
no promise
to it

things to do
I don’t want done,
especially not by me

but it’s a cold


goddamn it’s

My first poet from this week's anthology, Language for a New Century, is Laurence Wong.

Born in 1946 in Hong Kong, Wong received his undergraduate and graduate degrees in Hong Kong and his PhD at the University of Toronto. His publications include eleven books of poetry, five collections of "lyrical essays," six collections of critical essays, and numerous translations in a variety of languages.

The poem is translated from its original Chinese by the poet.

Down in the Mid-Levels

Resting my head on the dawn chorus,
I am a green water weed
quietly listening to the soft silver ripples
streaming into the golden glass of dawn.
Deep in the glass, a transparent vein of light
is slowly flowing over lock and upon lock of lilac wind.
The lilac wind is your soft hair
floating over the golden comb of dawn, noiseless

From January,  2011, a story of another cold night.

a long time coming



aching bones

a dark poem
all the long night's
forgotten  now

black cloud
covers the rising  sun,
by the cold spreading

night to day

a long time

Earlier this month was the 50th anniversary of Lyndon Johnson's  State of the Union Address when he summoned Congress and the country to a War on Poverty.
I was in the second semester of my sophomore year of college. By the end of that year I was in Peace Corps training at the University of New Mexico. I was the youngest, least educated, and certainly least sophisticated of the other members of my class. And, though I completed the training I did not, in the end, go on to an overseas assignment. Probably the best thing for all concerned because at 20 years old, I was not nearly ready for the level of responsibility required.

But the training was one of the defining experience of my life. In 1964, the Peace Corps truly did inspire and attract many of the best and brightest. For myself, essentially a displaced country boy, associating with this most talented group of men, living with them, learning with them, playing with them, gave me a chance to learn more about myself and my potential than any number of years of traditional education and experience could ever have. I discovered I could be a lot more than I had though I could ever be.

Those days of the War on Poverty and the start-up to the Great Society were heady times for those of us who shared the dream. The spirit of that time is still in me, leavened as it had to be, by more than 30 years soldiering in the battlefields of that war, learning the realities of the challenges.

But as I said, the spirit of 1964 has never left me, and I was reminded of that when I heard this song on a drive home last week from downtown. It is a naive and maybe cheesy song, but it is a song that holds the secret of that better, more hopeful time, and I treasure the way it made me feel as I heard it again on the radio.

I include the song this week to honor and remember the spirit of those times, as well as the song's writer and performer, the man in black himself,  Johnny Cash.

The song was originally released in 1971 in an album of the same name.

Man in Black

Well, you wonder why I always dress in black,
Why you never see bright colors on my back,
And why does my appearance seem to have a somber tone.
Well, there's a reason for the things that I have on.

I wear the black for the poor and the beaten down,
Livin' in the hopeless, hungry side off town,
I wear it for the prisoner who has long paid for his crime
But is there because he's a victim of the times.

I wear the black for those who never read,
Or listened to the words Jesus said,
About the road to happiness through love and charity,
Why, you'd think He's talking straight to you and me.

Well, we're doin' might fine, I do suppose,
In our streak of lightnin' cars and fancy clothes,
But just so we're reminded of the ones who are held behind
Up front there ought'a be a Man in Black.

I wear it for the sick and lonely old,
for the reckless ones whose bad trip left them cold,
I wear the black in mournin' for the lives that could have been,
Each week we lose a hundred fine young men.

And, I wear it for the thousands who have died,
Believen' that the Lord was on their side,
I wear it for another hundred thousand who have died
Believen' that we all were on their side.

Well, there's things that never will be right I know,
An things need changin' everywhere you go,
But 'til we start to make a move to make a few things right
You'll never see me wear of suit of white.

Ah, I'd love to wear a rainbow every day,
And tell the world that everything's OK,
But I'll try to carry a little darkness on my back,
'Till things are brighter, I'm the Man in Black.


 After all the cold,  a  warming trend.

my function

it is a beautiful day
the kind of day I love,
temperatures in the mid-twenties,
bright sunshine,
the icicle splinters flying
in the wind gone, the air still,
trees reaching high
to  reassert themselves
as tall guardians
of the day...

it's the early mornings,
before the sun has risen that
has been hard on me
for the past  several days,
the cold, colder in the dark,
a silent knife slicing
skin from my cheeks and nose...

dog-walking in the freezing dark,
 the dog loving it all sniffing and smelling
every leaf hanging cold and crisp
and dry on every ravaged
bush along the way, looking for,
who knows a dog's mind,  especially
this dog, near  strange
in the extend of her curiosity,
missing her cat friend
who would walk with us
and encourage dog along if she began
too long dallying,  pushing her cat head
against dog's neck,  time to  go,  time
to go, the cat, like me, not so happy
with the cold as the dog, the cat, Mama
cat, our morning companion, unseen
for  over a week now....

I woke, as usual,at  5 this morning,
lying in bed,  dog, as usual
impatiently rattling her collar
beside the bed, time to go, time
to go, lying in bed,
thinking of the cold and the dark,
wishing dog had an opposable thumb
so that I could give her the leash
and tell her to go walk

she would in a minute if she
could, I know,, my  small  function
in our morning  exercise,
we both know,  is only to hold the

Rishma Dunlop is my next poet from this week's anthology. She was born in India in 1956 to Sikh parents who immigrated to Canada in 1958. She grew up in Quebec and her MA and Ph.D. at the University of British Columbia and is now known as an award-winning Canadian poet, playwright, essayist and translator. She is a professor of creative writing, English and education at York University. She has published five books of poetry.

This is my first reading of this poet and it left with a feeling of envy I haven't felt since the first time time I read Junkman's Obbligato from Ferlinghetti's Coney Island of the Mind, thinking, damn, I wish I  could  do that.


The chronicle of the city unravels
                                   like a prayer cloth
calm of storybook nurseries, book codes,
swift calligraphy of desire.

The city dreams us
                           gives us exigencies in eavesdropped
                           stories, undistinguished pleadings
                           requiems for forgetting.

There is a small star pinned where Hiroshima used to be.

It's late and someone's almost forgotten how to convince you
                                                                                 he's telling the truth.

Even in sleep he cries out for help
                                    and you minister to him
                                    a woman who likes history returning for it wounded.

Blackbirds drop from telephone wires
                                               rose petals collect in birdbaths.

Everything stories you. You take Rilke at his word
Taste it everywhere. Wonderland signs:
                                              Eat me. Drink me.

Your hands like hobbled birds
read the classics. The hero enters the arched gate of the city.
In these books it is clear where the story of the city begins.

In the book of lost entries
                       nothing is pure but the forgotten things                                            
crossed out words on a haunted page
                                               useless dark of ink.

Today the city is unwriting itself
                                          in a coffin of glass.

In the blurred doorways.
                                in skyscrapers that rise silver and blue
cool as nothing could ever make them burn.

Sprayed on concrete walls
Where is my beautiful daughter
Emma was here
I pray for you Lucas
Fuck the politicians

the billboard with the women tall
                        with tall legs against white sand and blue ocean
                        red mouths puckered high above the crowds
smooth lipsticked smiles longing for cigarettes and sex.

Across the city, lights are shutting off
Good night, good night.

On the radio, the sirens are singing
Emmylou Harris, Alison Krauss, Gillian Welch
ethereal lullaby Don't leave Nobody but the baby

Come lay your bones
On the alabaster stones
And be my ever-lovin' baby

Reading Emily Dickinson
                                Beauty crowds me till  I die.
You feel the loneliness.
That's what is left of  the dream of beauty.

           So many kinds to name.

You hope for a day soft at the edges
                        for something, someone to
                        know the small hands of rain

to be like rain
wet with a decent happiness

Kiss the gleaming armor of the world.
Feel its electric purr.
Close your hands on wind-stunned leaves.
Bluff the scars of history with your mouth.

Again from January 2011, the dark of the season bringing out the dark of me.

a mid-winter  poem

I have the feel
of a string running out,
a slackness in my lifeline,
all I am reduced to 

loose ends

I've done many things in  my life,
good and worthwhile things,
though none lasted longer than
it took for my shadow

to fade around the corner

my proudest legacies
remembered  only by me -
like clouds blown apart
by a rising  wind, so much more 

than I had imagined

and now the line that anchored me
to the future
has gone slack and I feel just another
of the world's many forgettable

loose ends


Here's my first poem from this week's  featured poet,  David Whyte.

Horses Moving Through Snow

In winter
through the damp grass
around the house
there are horses moving
on the snow

in the half-light
they move quickly

following the fence
until the mist takes them

and evening
is the hollow sound of hooves
in the south field.



In the dark of a morning in the middle of a week, the past not always so past

the vault

there is no movement
in the opaque and enigmatic fog
but for the two of us walking,
and no  sound
but the muffled hush
of my soft-soled shoes
and the click-clickity
of dog's nails on the

the dark mystery
of the morning, adrift in dim haze -
a vault of old
memories stored
for years,

I open myself
to the past, not always
a good thing
for I am a realist
about all things
including  my
and there is no hiding
from me
for I know where the bodies
are  buried, my own a
and others...

the vault opens
and in this enshrouded morning
linger behind every

and it seems
I know
their every name

Here, from the week's anthology, an excerpt from a larger poem by Fatima Mahmoud, a Libyan poet and journalist. She published her first collection of poems in 1984, and in Cyprus she founded and edited Modern Scheherazade magazine about Arab women's issues. She sought political asylum in Germany in 1995 and continues to  live there. 

 excerpt from What Was Not Conceivable

          spill their crimson autobiographies

I said:
           the ember  is the master of fire
           the ember is its dust...
           Then I became confounded...
           to offer...
           the master's repulsive...
                              and delicious mouth
I am singed with happiness
with the stamps of hollowness
dipped in counterfeit songs
a scented
morning and our faces...
          and spat out
          in handsome
                  to offer
                            the master's repulsive
                            delicious mouth

  (translation  from Arabic by Khaled Mattawa)


This poem is also from January, 2011, and it is included in the mythical "next book" that, so far, has been delayed more than a by one circumstance or another. I'm sorry to report that our beloved Reba and blind cat, both mentioned in the poem, are no longer with us. 


all brothers to all brothers

it's  true,
I talk to my animals...

even Reba
who can't hear me,
but she can see my lips move

and know 
she is on my mind, like blind cat
knows she is not alone in the dark

when I stroke her head  as I pass,
like the friendly nod
I exchange with people

I pass on the street
because we all need  to know we are not
alone in the dark -
such an acknowledgement
of our shared passage we should
pass on to the creatures around us -

balm to repair the primordial weld that has bound us all
since creation, the weld that is separating now
as all become remote from the others...

if you believe in God, remember he created us all
as part of his plan and it is not our place
to redraw the blueprints of his creation;

if you do not believe in God,
remember instead
that we are all creatures at base

of common offspring, basic elements
that give us,
as our relatives,

the snake,, the bird, the fish in the ocean,
the lion in the field,, our neighbor
across the fence the daffodil growing

wild as any creature on the meadow,
the earth beneath our feet
and the stars that shine overhead,

all brothers of all brothers
in our most basic

Again,  featured poet,  David Whyte. I'm really liking what I'm reading, especially his shorter poems.

Light Over Water

Through the light on the upper line of water
three birds
with wings extended into the center of brightness
turn south into the channel
flicking their wings through the currents of air
to a silent horizon that empties the wind of sound.

In that noiseless wind they turn
and in the sodden busts as they lift
the dark throats of the evening birds turn white.


A morning poem from last  week.

King of the Serial Heroes

downtown again,
my favorite place for breakfast,
the best $40 breakfast
in town...

why am I telling you this?

because I have to tell you something
I suppose

and until I have something interesting
to tell you
my breakfast will have to do...

the restaurant
at the Pearl, about a block and a half
from my coffeehouse, so
I'd be going that way even if I wasn't 
going there for breakfast...


7 o'clock now,
meeting Dee at the restaurant
at 8:30, which means
I'll be leaving  here
about 8 o'clock

- here being my regular breakfast haunt
where I just had coffee and toast
this morning, with a turkey sausage patty
for the dog -

- here being also where I am this morning
for a symbolic cup of coffee
so the servers won't feel  disrespected
by my absence and so
they won't call the sheriff  to investigate
the possibility of foul play having
befallen me -

but, still, such niceties aside, I must leave room
for  the coddled eggs...

then, going
downtown on the interstate
on a misty-slack road, computer  clogged,
half the traffic intimidated by the weather,
driving 50 miles an hour, and the other half
hitting 85, on the theory that slick roads
won't be a problem if you drive
fast enough to fly
above them...

there, I finally go to the exciting part,
will I make it downtown
or will I die in a wet, dripping and twisted wreck
half-way there?

it's a real drama
this poem

a cliff-hanger,
just like when Zorro
rides his horse  off a  cliff
into a deep, dark

you have to come back
next Saturday to see how he survived,
"how," not "if," because we know he did survive
just don't know how,  Saturday afternoon
movie serial heroes, like God  himself,
moving in mysterious ways
to always beat the odds, survive
for a second, third, fourth, fifth, etc.

I am the hero of all my stories,
as you well might know,
so expect a  dramatic, bloody car crash,
from which I will crawl, unhurt,
to continue my Wednesday morning quest
for my $40  breakfast

King of the Serial Heroes - that's me

Photo by Dora  Ramirez-Itz


Amir Or is an Israeli poet, editor and translator. Born in Tel Aviv in 1956, he has published ten volumes of poetry with work appearing in more than 40 languages.

I can't say I know for sure what this poem is about. Some kind of political or cultural metaphor not available to me, I'm guessing, but the vivid imagery does attract enough to make me want to continue to try to figure it our. Or maybe it's just as simple as a love  story turned torture nightmare. Or maybe it's just observations from a Mapplethorpe retrospective.

blow job

In the beginning there was desire, they say.
And then some.

The lips that clung to this dick
suckle ow, blind with rapture
a live dildo, a hard-on Truth,
the deeper the more blessed,
the more
the deeper.

Later,, blue as well. the hand that was tied
with the black stocking between the legs,
the groin tucked in the flayed hide (dressed and dyed).
the whip up the ass
will leave nothing
but doubt.

And primarily  the grip.The involuntary
gagging motions take a small death first
before begging for more
only more
heat up the blue rim.
Pull the trigger.

(Translated from Hebrew by Tsipi Keller


This is another poem from January, 2011, one not included in my off-rumored next book. Don't  know why. I kind of like it.


late in the mornings
these days

helping blind cat
when she gets up from
her night's sleeping

all the necessaries,
food, water, litter box

so that I can put her back
in the chair
for her day's sleeping -

a great temptation
at that point
to put myself back to bed

getting up in the winter
in the dark-dark

an hour before sunrise
does not energize me like
getting up in the soon-light

of summer,
there being something about the dark
makes the cold morning colder

while the dim of early summer
makes the promise of a cooler day

and lie
that it is,
I enjoy the illusion -

for illusion
is the soft wrap
that consoles us on sharp-edged

and prickly days
when goodness and mercy
do not follow us through the winter/summer

and nights of our lives -
and that fellow three booths down

looks exactly like a fellow I knew
forty years ago,
the suicide obsessed fellow,

the fellow
I talked into holding out for another
day twice on a rooftop-

skunk-drunk he was
and I was too
but we both came down -

and I am enjoying the illusion
that he looks exactly like he did
forty years ago

and that I must as well,
and that forty years passed,
he made it

and I made it, but mostly
he made it through the mummy-wrap mist of
his fearful nights

and that's a nice illusion to have at six-thirty
in the dark dark


Here's another short poem by David Whyte.

The Wildflower

In the center of this wildflower
the names of things revolve  like planets
and as if pulled by tides
and the gravity of deep space
the names of things move into form
through enormous distance.

Like electrons enchanted
by the atom
they show their undiscovered seas
as they revolve.

But for the dark flower
I give it the name of a hidden moon.


 I am like the boy scout I wasn't - always prepared.

french fries

I  have started
writing my obituary

not because
I expect it to be used

any time soon, but
because it will be the last piece of  writing

to appear
under my name

and I want it to be right
and well written...

six pages
so far

and just  leaving
Lee  Elementary for a new life

as an entry-level
junior high scholar


I wasn't aware my lie
was so interesting...

so I'm thinking maybe
this isn't just

an obituary maybe I'm
writing a memoir

which impresses me
because "memoir" sounds  like

a French word
and I've always admired French writers


or maybe I ought to just
take  my six pages

and cut it down to
a more  reasonable length

like maybe half a

because, me - except for french fries -
not having much French stuff

in me


Born in 1966 in Singapore, Yong Shu Hoong is an award winning poet and literary advocate. He holds a computer science degree from the University of Singapore and an MBA from Texas A&M University, College Station. He has published four volumes of poetry.


The infinite extent of windows
on the observation deck
reminds me off illuminated fish tanks
that once held my gaze in Van Kleef Aquarium,
the therapy of bubbles. But here,
there's only the chatter of sightseers
drowning out the symphony of skyscrapers.

I navigate my nose closer toward the sky,
staring out with m fish eyes
from my enclosure into another realm.

Then, with the decibel of voices dwindling,
I look down over streets, the big shoulders
of buildings, watching the city bustle in silence
as my mind fills with strange thoughts
of the Flamingo sculpture suddenly taking flight,
the Art Institute's stone lions roaring to life -
How I have again missed out
on anarchy and outrage, trapped
behind the sheen of shatterproof glass. 


 Here's another from January, 2011, also in the book. In 2014, I guess I'm one of the junior-senior on my quarterly doctor's visit. In the school of getting old, one does advance quickly.

it's easier to imagine old than remember young

at 67, I'm
not the oldest person
in the doctor's office, more
of a sophomore-senior, a little older
than the spry and fresh-faced freshman,
younger than the junior-seniors,
but not nearly as old as the senior-

like la viejita,
shuffling in from the  cold,
a little round dumpling
of a woman
all wrapped n a coat and cloak
and red knit tam,
moving  slowly to the receptionist
on fat feet
overflowing pink house slippers

she thinks she remembers
a time
when she was proud of her
slim, dancing feet,
her delicate hands, long proficient
her black hair streaming well past her shoulders,
the fire in her eyes
in flickering candle light

she thinks she remembers
this, but she's not sure -
she might be thinking of the pretty girl
on the novela that comes at 3 o'clock
weekday afternoons

she says in Spanish
to the receptionist, I can wait

but tell the doctor not too long,
she says

Porqu Dios me espera,
and he will not wait for ever


 Here the last poem of the week by featured poet, David Whyte. As noted in the introduction, his poems this week were taken from his book River Flow, New & Selected Poems.

The Vows at Glencolmcille

It's as if the solid
green of the valley
were an island
held and bound
by the river flow
of stone
and when
in summer rain
white headstone
turns black
and the central green
is light-wracked
round the edges,
that dark
reflective gleam
off rock
an edging brilliance
that centers
a field
and makes us
see it
as deep emerald.

New from last week; the last for this week. I've always wondered about those logo shirts. When did it occur to the corporate ad flacks that they could get people to wear their advertising for free.


in the booth in front of me
is wearing a shirt
Squaw Valley

maybe he went skiing there,
or at least he wants us to believe he did,
he might have just bought the shirt
at the ski-shop at the mall
and has never seen any more snow
than he sees
when defrosting his refrigerator...

you never know

so many ways for people to lie
about themselves these
days, so many ways to create
an image of themselves, at least the self
they'd like to be - just for the price of a t-shirt
they can have been anywhere,
done anything, with

not for me,
I don't allow my body
to become a billboard for anyone
or any place or anything, my shirts purposefully
"no-comment" shirts,
bland, but for the color of the day,
no products, no events, no vacation hideaways,
no sports teams get the pleasure of my free promotion

if I've been to Squaw Valley
you won't know about it from   reading my shirt, for
my shirt includes neither truth nor  lies,
just plain old shirt...

that's  because I believe in truth in shirting, the old truth
that if you don't have nothing to say,
don't say nothing and I don't have nothing
to say on my shirt

that's because I do all my truthing and lying
in my poems and that's where
you might find the story my trip to Squaw Valley
if I've been there or maybe not

that's because truth in poetry
is about the same as truth in t-shirts,
you reads the story
and takes your

As usual, everything belongs to who made it. You're welcome to use my stuff, just, if you do, give appropriate credit to "Here and Now" and me.

I mention it every week and it's  still true, I'm Allen Itz owner and producer of this blog, and diligent seller of books, specifically these and specifically here:

Amazon, Barnes and Noble, iBookstore, Sony eBookstore, Copia, Garner's, Baker & Taylor, eSentral, Scribd, eBookPie, and Kobo (and, through Kobo,retail booksellers all across America and abroad)


Places and Spaces

Always to the Light

Goes Around Comes Around

Pushing Clouds Against the Wind

And, for those print-bent, available at Amazon and select coffeehouses in San Antonio

Seven Beats a Second

Short Stories

Sonyador - The Dreamer


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Loch Raven Review
Mindfire Renewed
Holy Groove Records
Poems Niederngasse
Michaela Gabriel's In.Visible.Ink
The Blogging Poet
Wild Poetry Forum
Blueline Poetry Forum
The Writer's Block Poetry Forum
The Word Distillery Poetry Forum
Gary Blankenship
The Hiss Quarterly
Thunder In Winter, Snow In Summer
Lawrence Trujillo Artsite
Arlene Ang
The Comstock Review
Thane Zander
Pitching Pennies
The Rain In My Purse
Dave Ruslander
S. Thomas Summers
Clif Keller's Music
Vienna's Gallery
Shawn Nacona Stroud
Beau Blue
Downside up
Dan Cuddy
Christine Kiefer
David Anthony
Layman Lyric
Scott Acheson
Christopher George
James Lineberger
Joanna M. Weston
Desert Moon Review
Octopus Beak Inc.
Wrong Planet...Right Universe
Poetry and Poets in Rags
Teresa White
Camroc Press Review
The Angry Poet